Recent Exhibitions

2020

1. Action 180: At 9:15am Sunday 28 May, 1967.
Sculpture in the City - 9th Edition. 2019, London

2. Sensual/Virtual: Two Coloured Sculptures
At Fitzwilliam Museum’s Octagon Gallery
Curated by Dr Victoria Avery and Luke Syson
August 2020 - November 2020

3.DREAMSONGS
FROM MEDICINE TO DEMONS TO ARTIFICIAL INTELLIGENCE
Curated by BJORN STERN
At Colnaghi London
AUTUMN, 2020

4.Summer/Winter show at the Royal Academy of Art
Curated by Jane and Louise Willson
October 2020 - January 2021


Past

1. Scramble, 1967.
Nocturnal Creatures 2019 - Bury Court, London


2. Action 213, A taste of austere luminance.
BIENALSUR 2019 - Museo Nacional de Arte Decorativo (MNAD), Buenos Aires.

3. 12 noon , Monday 5 August 1963.
Asia Society Museum. 2019, New York.


5. WAR / VOJNA der KREIG.
Koroška Art Museum, Slovenj Gradec, Slovenia

6. Crumbling Down, Up and Up we Climb.
Yarat Contemporary Art Space, Baku, Azerbeijan

7.Bilder Fragen.
H2- Centre for Contemporary art in the Glass Palace Kunstsammlungen and Museen Ausburg, Germany

8. Uncertain States - Artistic Strategies in States of Emergency.
Akademie der Kunste, Berlin, Germany

9. L’arte differente: MOCAK al MAXXI.
Exhibition of works from the MOCAK Collection in Rome

10. Migrations in Contemporary Art
MUNTREF Centro de Arte Contemporáneo, Buenos Aires





Mark




‘Scramble, 1967’

Performance, 2019


A collaboration between artist Reza Aramesh and dancer Joshua Smith connecting two significant events that happened in 1967. Reza Aramesh’s sculpture: Site of the Fall - study of the renaissance garden - Action 180 is a depiction of subjected body sourced from reportage images of the Viet- nam war referring to a particular event that took place at 9:15 am, Sunday 28th May, 1967. Around the same period, Merce Cunningham created a dance piece titled ‘Scramble’ to explore the infinite possibilities of movement that the human body can possess. Reza Aramesh and Joshua Smith will be producing ‘Scramble’ in the presence of Action 180, at Bury Court next to the Gherkin, opening up the dialogue between these two events.