Reza Aramesh’s work has been exhibited in both solo and group exhibitions most recently at Asia Society Museum in New York (2019), Met Breuer in New York (2018), SCAD Museum in Georgia Atlanta (2018), Akademie der Kunst Berlin (2016), the 2015 Venice Biennale, Art Basel Parcours 2017, Frieze Sculpture Park 2015 and 2017, and at Maxxi Museum in Rome (2016). He has orchestrated a number of performances and exhibitions in such spaces as at Barbican Centre, Tate Britain and ICA, London. His works have entered public and private collections worldwide including in Argentina, Germany, Lithuania, Poland, USA, Belgium, France, Iran, Lebanon and the UK. Reza Aramesh was born in Iran and has been living in London since his teenage years. He holds a Masters degree in Fine Arts from Goldsmiths University, London (1997).
Working in photography, sculpture, video and performance, Aramesh’s profound understanding of the history of art, film and literature is ever-present in his artwork. As a response to war reportage images from sources such as newspapers, online articles and social media, Aramesh de-contextualises scenes of reportage images of violence from their origins, exploring the narratives of representation and iconography of subjected body in the context of race, class and sexuality in order to create a critical conversation with the western art history.
Scramble, 1967, Nocturnal Creatures 2019 - Bury Court, London.
Action 213, A taste of austere luminance. BIENALSUR 2019 - Museo Nacional de Arte Decorativo (MNAD), Buenos Aires.
Action 180: At 9:15am Sunday 28 May, 1967. Sculpture in the City - 9th Edition. 2019, London
12 noon, Monday 5 August, 1963. Asia Society Musuem, New York.
Like Life: Sculpture, Color and the Body (1300 - Now) The MET Breuer, Metropolitan Museum of Art, New York.
WAR / VOJNA der KREIG Koroka Art Museum, Slovenj Gradec, Slovenia.
Crumbling Down, Up and Up we Climb Yarat Contem- porary Art Space, Baku, Azerbeijan.
Bilder Fragen H2- Centre for Contemporary art in the Glass Palace Kunstsammlungen and Museen Ausburg, Germany.
Frieze Sculpture Park, Curated by Clare Lilley.
Art Basel Parcours, Curated by Samuel Leuenberger. WAR, Curated by Marko Košan. Koroška Art Museum,
At 9:15 am Sunday 28 May 1967, Leila Heller Gal- lery, Dubai.
L’arte differente: MOCAK al MAXXI Exhibition of works from the MOCAK Collection in Rome.
Migrations in Contemporary Art MUNTREF Centro de Arte Contemporneo, Buenos Aires.
Uncertain States - Artistic Strategies in States of Emer- gency, Academie de Kunst, Berlin.
Permanent Collection display, Art Centre Hugo Voeten, Herentals, Belgium.
At 11:57 am Wednesday 23 October 2013, Ab-Anbar, Tehran.
RTL: LTR, curated by Tarlan Ra ee and Yashar Samimi Esfahan Museum of Contemporary Art, Esfahan.
Poetics of Absence, Curated by Cristiana de Marchi, 1x1 Art Gallery, Dubai.
Spring of Recession, Centrefold Project, Sazmanab, Tehran.
The Iranian Pavilion, Venice Biennale Edition 56. Frieze Sculpture Park 2015 Curated by Clare Lilley. Friday April 25, 2003 at 07:55, Leila Heller Gallery, New York.
Migrants, Muntref-Museum, curated by Diana Wechsler, Buenos Aires.
At 11:08 March 14th, 2006, Ab-Anbar, Tehran.
The Whistle of the Souls, a play that never starts, Proposal for a Public Sculpture, Al Quoz Industrial 3, Dubai. Armory Show, New York, U.S.A.
12MIDNIGHT, multi-venue exhibition in ve nightclubs, New York.
Cultural Freedom in Europe, Goethe Institute Brussels.
Lost in Paradise, Curated by Arianne Levene and Eglantine de Ganay, Loft Sevigne, Paris.
Without Hope, Without Fear, Al Joud Center, UAE.
The Elephant in the Dark, crated by Amirali Ghasemi, Devi Art, Foundation, Gurgaon, India.
Migrasophia - ( Migration + Philosophy ), curated Sara Raza, Maraya Art Centre, Sharjah.
ADVANCE/...NOTICE, Goodman Gallery, Johannes- burg, South Africa.
Walking in the Darkness of a Promised Light, Isabelle Van Den Eynde Gallery, Dubai, UAE (cat.)
Light – Part I, curated by Gabriel Rolt and Nick Hack- worth, Paradise Row, London.
Eat Me, Goodman Gallery, Cape Town.
Satement, Paris Photo 2009, curated by Catherine Davide, France (cat.)
Between the Eye and the Object falls the Shadow, Isabelle Van Den Eynde Gallery, Dubai, UAE (cat.)
Hope!: I’espoir, de Giacometti a Murakami, curated by Ashok Adiceam, Palais des Arts et du Festival, Dinard, France. (cat.)
Live Action 71, curated by The Diogenes Club, Late at Tate Britain, London, UK.
Relaunch, Sunbury House, London, UK.
Live Action 60, commissioned for Zoo Art Fair and CollectingLiveArt, London.
Best of Discoveries, Shcontemporary, Shanghai, China. (cat.)
A World without Borders, Event Horizon, GSK Contem- porary, Royal Academy of Art, London, UK.
The Apartment, curated by Brian Chalkley and Lewis Amar, Royal London House, London.
You Were the Dead, Their’s Was the Future, seduced, Barbican Art Gallery, London, UK.
Who is the Third that Walks Beside You?, Matthew Bown gallery, London, UK.
Reza Aramesh, Watermans Centre, London, UK
We’ve Lost the Hearts and Minds..., Event gallery, London, UK (cat.)
Space Invasion, an International Offspace Project, various venues, Vienna, Austria (cat.)
Los Vinilos, Buenos Aires, Argentina.
The Politics of Fear, Albion Gallery, London, UK. Temporary Measures, curated by Hut Projects, Associates Gallery, London, UK.
Into Position, curated by Anthony Gross, Bauernmarkt
1 and 9, 1010 Vienna.
The Lucifer Effect, curated by Gordon Cheung, Gallery Primo Alonso, London.
Live Action: I am a Believer, commissioned by ICA, Trafalgar Square, London, UK.
Making a Scene, curated by Tal Yahas Haifa Museum of Art, Israel (cat.)
Metropolis Rise: New Art from London, CQL Design Centre, Shanghai and 798 Art District, Beijing, China (cat.) Culture Bound, East Wing Collection VII, Courtauld
Institute of Art, Somerset House, London, UK.
Art Car Boot Fair, Brick Lane, London. Curated by
Karen Ashton and Helen Hayward.
Live Action: The Key of Dreams, Gasworks Gallery, London, UK.
Live Action: Of this Men Shall Know Nothing, Thomas Goode Shop, London, UK.
USA . Defense, University of California, Sweeney Art Gallery,
We Have Met The Enemy and He is Us, curated by Shezad Dawood, Redux Project Space, London, UK.
Pencil (a drawing show), Carter presents, London.
Contemporary Drawings, Parnassos Literary Society, Athens, Greece. Curated by Synthesis.
The eternal spring, Lawrence O’Hana gallery. London.
U.K. So You’re Afraid of What?, curated by Centrefold, Re- dux Project Space, London, UK.
Copy-art.net, curated by Irini Papadimitriou, ICA, Lon- don, UK.
Gewalt, curated by Suhall Malik, Laushy Art, Tel Aviv Israel (cat.)
Sir ® Eel: The Suit since ’68: The Politics of Revulsion, curated by Peter Lewis, Redux Project Space, London, UK.
Pilot1, Lime House Town hall, Lime House, London.
Art Car Boot Fair, Truman Brewery, London, curated by Karen and Helen Asthon.
Flea market, TemporaryContemporary, London.
Picture This, Platform Gallery, London, UK. Flaca, Flaca Gallery, London, Book Launch.
What if I Told the Truth?, curated by Reza Aramesh, Cell Projects, London, UK.
Trick Peaser, curated by Luke Oxley, Mandarin Duck, London, UK.
Teeth and Trousers, curated by Richard Priestly, Cell Projects, London, UK.
Forever Yours, curated by Reza Aramesh, Victoria House, London, UK.
Heart of Glass, curated by Esther Windsor, London, College of Printing, London, UK.
Reza Aramesh. Desert Rose, Victoria House, London, curated by
Include Me Out, London. Curated by John Chilver.
Wooden Heart, Avco, London. Curated by Reza Ara- mesh and Tina Spear.
The work has been collected by many public and private collections including:
- Tate UK
- Lazaar Foundation
- Hugo Voeten Foundation
- Mocak Museum Poland
- Rodin Museum
- Versaille Palace Collection - Zabludowicz Collection
Harper Bazaar, March 2019, Delara Zand. 2019.
The Garden of Good and Evil, Anna Wallace Thompson, Folio Magazine, 2019.
Artforum, Art guide, Asia Society New York, 2019.
Reza Aramesh at Asia Society Musuem New York, Wall Street International, 2019.
Reza Aramesh at Asia Society Musuem New York, New York Art Beat, 2019.
Reza Aramesh, 12 Noon, Monday, 5th August 1963, at Asia Society, 2019
Baku Art Culture, Art Newspaper Russia, 2018.
The New York Times, Real, or Too Real?, "Like Life" at the Met Breuer, 2018
BLOUIN ARTINFO, What to See at Frieze Sculpture Park 2017 in London, 2017
I am a believer paper, Ruba Shield, 2017
Insecure states, uncertain times, ID Online, 2017
Poetics of Absence, The National, Anna Seaman, 2017
Sculpture captures the suffering, Al Roeya newspaper, Ruba Shield, 2017
Berlin Art Link, Migration 'Uncertain States' at Akademie der Künste, 2016
Zeit Online, Cultural policy instead of culture, 2016
Academy of Arts: Uncertain States, Der Tagesspiegel, 2016
A study of human suffering during wars, Gulf news, Jyoti Kalsi, 2016
Artforum, Best of 2016, Sylwia Serafinowicz, 2016
At 9:15am Sunday 28 May 1967 The National, 2016
New York Times, Ginanne Brownell, 2016
At 11:57 am Wednesday 23 October 2013 , Art Agenda, 2016
Migration as a condition of existence , Código Magazine, Daniel Montero, 2016
Friday April 25, 2003 at 07:55 , 2015 12 - Midnight, 2014
Tandis Magazine, 2014
Artforum review , 2014
The Whistle of the Souls, a Play That Never Starts , Art Asia Pacific, Sara Raza, 2014
Walking in the Darkness of a Promised Light , Thomas Frangenberg, 2011
The disturbing triptych of war, violence and wealth GQ feature, Sophie Leris, 2011
Art House, The Big Issue, Michael Parker, 2009
The Re-Framing of Conflict, Canvas Magazine, Anthony Downey, 2009
Between the Eye and the Object Falls a Shadow, B21 Gallery, Thomas Frangenberg, 2009
Conflicting Statements, The National, 2009
Deceptions of the true and the accurate, Gulf News, Jyoti Kalsi, 2009
Contemporary Practices magazine, 2009, Gemma Tully in conversation with Reza Aramesh
The Atrocity Exhibition, Time Out Dubai, 2009
Aesthetica magazine, Niamh Coghlan, 2006
Prizes & Awards -
Nominated for a Paul Hamlyn Foundation Award for Visual Artists.
Nominated for a Paul Hamlyn Foundation Award for Visual Artists.
Arts Council of England grant for the ‘I am a Believer’ show hosted by the ICA.
London Arts Research and Development grant, Arts Council.
Projects & Publications -
Centrefold Project Issue 10.
Centrefold project Issue 9.
Friday April 25, 2003 at 07:55, Leila Heller Gallery, Murtaza Vali.
Centrefold Scrapbook, Issue 9, Spring of recession, Sazmanab Centre for Contemporary Art, Tehran, Iran.
At 11:08 March 14, 2006, Sazmanab centre for contemporary art, Ab-Anbar, David Thorp.
12MIDNIGHT, multi-venue exhibition in five nightclubs, New York Milovan Farronato, Media Farzin, Eugenio Viola.
Crude Humanity, Sara Raza, The Whistle of the Souls.
Centrefold Scrapbook, Issue VIII, The Circle of Manias. Launch and exhibition/talk at Zabludowicz Collection, London.
Walking in the Darkness of a Promised Light, Isabelle Van Den Eynde Gallery.
Between the Eye and the Object falls the Shadow, Isabelle Van Den Eynde Gallery, Thomas Frangenberg.
Centrefold Scrapbook, Issue VII, A world without borders ...
Centrefold Scrapbook, Issue VI, It is is, And it is now only...
Centrefold Scrapbook, Issue V, We’ve lost the heart and minds...
Centrefold Scrapbook, Issue IV, I think I’ll Speak To...
“Reza Aramesh” Published by the Collectors’ Editions 2018.
“Like Life Sculpture, Color, And the Body” Published by The MET New York 2018.
“Uncertain States, Travelling Fragments” Published by Akademie Der Kunste. 2017.
“At 11:57am Wednesday 23 October 2013” Published by Ab Anbar Gallery, Tehran, 2016.
“Friday April 25, 2003 at 07:55” Published by Leila Heller gallery New York. 2015.
“The Great Game” Art, Artists and Culture from the heart of the world.: Silvana Editoriale. 2016
“Hope” Une Exposition d’art contemporain sur l’Espoir. Skira Flam- marion. 2010.
2011. “Reza Aramesh Them Who Dwell on the Earth”, “12 MidNight” Published by Damani Press Italy Metropolis Rise: New Art From London Published by temporary Contemporary 2006