Recent Exhibitions


1. Action 180: At 9:15am Sunday 28 May, 1967.
Sculpture in the City - 9th Edition. 2019, London

2. Sensual/Virtual: Two Coloured Sculptures
At Fitzwilliam Museum’s Octagon Gallery
Curated by Dr Victoria Avery and Luke Syson
August 2020 - November 2020

Curated by BJORN STERN
At Colnaghi London
AUTUMN, 2020

4.Summer/Winter show at the Royal Academy of Art
Curated by Jane and Louise Willson
October 2020 - January 2021


1. Scramble, 1967.
Nocturnal Creatures 2019 - Bury Court, London

2. Action 213, A taste of austere luminance.
BIENALSUR 2019 - Museo Nacional de Arte Decorativo (MNAD), Buenos Aires.

3. 12 noon , Monday 5 August 1963.
Asia Society Museum. 2019, New York.

Koroška Art Museum, Slovenj Gradec, Slovenia

6. Crumbling Down, Up and Up we Climb.
Yarat Contemporary Art Space, Baku, Azerbeijan

7.Bilder Fragen.
H2- Centre for Contemporary art in the Glass Palace Kunstsammlungen and Museen Ausburg, Germany

8. Uncertain States - Artistic Strategies in States of Emergency.
Akademie der Kunste, Berlin, Germany

9. L’arte differente: MOCAK al MAXXI.
Exhibition of works from the MOCAK Collection in Rome

10. Migrations in Contemporary Art
MUNTREF Centro de Arte Contemporáneo, Buenos Aires


"Action 213: A taste of austere luminance"
Bienalsur 2019 - Museo Nacional de Arte Decorativo (MNAD) the exhibition "

Revisiting and reinventing the old technique of hand screen printing, ‘Action 213: A taste of austere luminance’ is a set of three folding screens made from double layer organza. Each screen consists of three panels containing a silkscreened silhouette image collaged together from a collection of reportage images of wars and displacements, drawn from the Vietnam War until the present day. These elements are brought together in dialogue with folding screens of Chinese origin, that later made their way into Europe. Often decorated with major themes of mythology, scenes of palace life and nature, these screens are often associated with intrigue and romance in Chinese literature.

The screen as an object is devised to split the space and separate public flow within the room; the device acquires a great symbolic meaning, establishing a border between real experience and desire that inescapably refers to the condition of migration.

Action 213 is a site-specific installation, commissioned by BienalSur 2019, for the Museo Nacional de Arte Decorativo in Buenos Aires. The screens are installed in the “Salon de Baile”, which was designed by the French architect Rene Sergent in 1911 and inspired by the Versailles Palace.