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<channel>
	<title>Rezaaramesh</title>
	<link>https://rezaaramesh.com</link>
	<description>Rezaaramesh</description>
	<pubDate>Tue, 03 Sep 2019 15:39:03 +0000</pubDate>
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		<title>Home Image Scroll</title>
				
		<link>https://rezaaramesh.com/Home-Image-Scroll</link>

		<pubDate>Fri, 09 Aug 2019 09:18:23 +0000</pubDate>

		<dc:creator>Rezaaramesh</dc:creator>

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		<description>
&#60;img width="5000" height="7499" width_o="5000" height_o="7499" data-src="https://freight.cargo.site/t/original/i/421deb66b2700ee95f48fe72e4cad914a7235221a7d259a18bd3bdbfec45a10c/Parcours_RezaAramesh_2017-06_GM_1094-15.46.33-min_o.jpg" data-mid="48255502" border="0"  src="https://freight.cargo.site/w/1000/i/421deb66b2700ee95f48fe72e4cad914a7235221a7d259a18bd3bdbfec45a10c/Parcours_RezaAramesh_2017-06_GM_1094-15.46.33-min_o.jpg" /&#62;

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		<title>Contact</title>
				
		<link>https://rezaaramesh.com/Contact-1</link>

		<pubDate>Fri, 09 Aug 2019 09:18:24 +0000</pubDate>

		<dc:creator>Rezaaramesh</dc:creator>

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		<description>For any inquiries contact:
Dastan Gallery:https://dastan.gallery/contact/
Contact:

For internship opportunities and general enquiries, please contact:mail@rezaaramesh.com

Disclaimer


(Certificate of Authenticity) COA is only issued in One (1) unequivocal signed and stamped original by the artist. Should a client lose the COA, no new original will be issued. An extract from the archives of the artist may be requested seeking information about the archival entry but such extract shall not be considered an Original COA.&#38;nbsp;An archival search fee may apply.

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		<title>CV</title>
				
		<link>https://rezaaramesh.com/CV</link>

		<pubDate>Tue, 03 Sep 2019 15:39:03 +0000</pubDate>

		<dc:creator>Rezaaramesh</dc:creator>

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		<description>CV

	
		
		
	
	
		
			
				
					Reza Aramesh’s work has been exhibited in both solo and group exhibitions 










such as in the occasion of the Museum of Fine Art, St Petersburg, Florida (2025), Historic Hampton House, Miami (2025), Venice Biennale (2024), at the Bienal de la Habana (2024), Asia Society Museum in New York (2020), Met Breuer in New York (2018), SCAD Museum in Georgia Atlanta (2018), Akademie der Kunst Berlin (2016), the 2015 Venice Biennale, Art Basel Parcours 2017, Frieze Sculpture Park 2015 and 2017, and at Maxxi Museum in Rome (2016). He has orchestrated a number of performances and exhibitions in such spaces as at Barbican Centre, Tate Britain and ICA, London. His works have entered public and private collections worldwide including in Argentina, Germany, Lithuania, Poland, USA, Belgium, France, Iran, Lebanon, Israel and the UK.


Working in sculpture, drawing, embroidery, ceramics, video and performance in a succession of ‘actions’. Aramesh draws references from media coverage of international conflicts dating from the mid-20th century until present day. This coverage is then transformed into sculptural volumes in collaboration with non-professional models, who help him re-enact his chosen source materials. No direct signs of war remain in the physical end results and the characters seem driven out of their initial contexts. Opposition between beauty and brutality allows the artist to unveil the absurdity and the futility of these actions. Aramesh de-contextualises these scenes of violence from their origins, exploring the narratives of representation and iconography of the subjected male body in the context of race, class and sexuality in order to create a critical conversation with the western art historical canon.



	
		
		
	
	
		
			
				
					
Exhibitions

2025


































Dastan Gallery, To Be Made Flesh Again After James Baldwin, Tehran


Museum of Fine Arts, St Petersburg, In Caravaggio’s Light, Barque Masterpieces from the Fondazione Roberto Longhi, Florida


Night Gallery, Fragment of the Self, Los Angeles,




Historic Hampton House, No Room, No Vacancy, Miami


Art Basel Miami, Presented by Night Gallery, Miami


Art Basel Miami, Presented by Dastan Gallery, Miami


Frieze London, Presented by Dastan Gallery, London
















Bowdoin College Museum of Art,&#38;nbsp;Irrepleaceable You: Personhood and Dignity in Art, 1980s to Now, curated by Sean 			Kramer, Brunswick, Maine

Cure3, at Bonhams New Bond St, London











Nicodim Gallery, 









Mondegreens and New Understanding, New York,

Art Basel Hong Kong, Presented by Dastan Gallery, Hong Kong
2024












Chiesa di San Fantin, NUMBER 207, curated by Serubiri Moses, Venice












 Muntref Centro de Arte Contemporáneo,Todo y nada están ahí para ser dichos, curated by María Gabriela Cisterna, Patricia Di Pietro and María Sol Santich, Buenos Aires

Cloud Seve, 









A Public Affair, curated by Bayo Hassan Bello,&#38;nbsp; Brussels




Bienal de la Habana, curated by Nelson Ramirez de Arellano, Havana
2023


































Site of the Fall – Study of the Renaissance Garden, Action 182: At 01:01pm Saturday 03 Feb 1968, Armory Off-site, Presented by Dastan Gallery and Night Gallery, New York

Leila Heller Gallery, The Storyteller, New York

Galerie Kandlhofer, Weltgeist, Austria











Boulevard de Waterloo 28,&#38;nbsp;










The Many Faces of the Self, curated by Ars Belga, Brussles&#38;nbsp;












Frieze No.9 Cork Street, Realism, Presented by Dastan Gallery,&#38;nbsp;London

Soft Edge of the blade vol.2, curated by Zaal Art Gallery, Toronto




Galerie Kandlhofer, Deviants, Vienna


					2022
Muntref collection at MUNTREF Centro de
Arte Contemporáneo,&#38;nbsp;Capitulo I - Presente continuo, Buenos Aires, Curated by Diana Wechsler
Pejman Collection at Pejman Foundation, Vanishing Point, Argo Factory, Tehran, Iran, Curated by Zohreh Deldadeh
14 Bienal de la Habana,  Rupture; A Thousand and One Times, Museo de Artes Decorativas,&#38;nbsp;Habana, Curated by Marianne Wagner and Nelson Ramirez de Arellano
 Frieze No.9 Cork Street, Soft Edge of the Blade,&#38;nbsp;London, Presented by Dastan Gallery
2021

					Asia Society Triennial, We Do Not Dream Alone, Asia Society Museum, New York, Curated by Michelle Yun Mapplethorpe and Boon Hui TanSculpture in the City - 9th Edition,&#38;nbsp;Action 180: At 9:15am Sunday 28 May, 1967, London2020

					Fitzwilliam Museum’s Octagon Gallery, Sensual/Virtual: Two Coloured Sculptures, Cambridge, UK, Curated by Dr Victoria Avery and Luke SysonColnaghi London, Dreamsongs: from Medicine to Demons to Artificial Intelligence, London, Curated by Bjorn Stern for Frieze London 2020252nd Summer/Winter show at the Royal Academy of Art, London Curated by Jane and Louise Wilson

2019

					
Nocturnal Creatures 2019,&#38;nbsp;Scramble, 1967, performance at Bury
Court, London

					
BIENALSUR 2019,&#38;nbsp;Action 213, A taste of austere luminance, Museo Nacional de Arte Decorativo
(MNAD), Buenos Aires, Argentina

					
Asia Society Museum,&#38;nbsp;12 noon, Monday 5 August, 1963, New York

					
2018

					
The MET Breuer,&#38;nbsp;Like Life: Sculpture, Color and the Body (1300 - Now), Metropolitan Museum of Art, New York, Curated by Luke Syson, Iris and B. Gerald Cantor, Sheena Wagstaff, Leonard A. Lauder Chairman, Brinda Kumar and Emerson Bowyer

					
 Koroka Art Museum, WAR / VOJNA der KREIG,&#38;nbsp;Slovenj
Gradec, Slovenia, Curated by Marko Košan

					
2017
Yarat Contemporary Art Space,&#38;nbsp;Crumbling Down, Up and Up we Climb, Baku, Azerbeijan, Curated by Suad Garayeva-Maleki and Bjorn Geldhof

					
H2 Centre for Contemporary art in
the Glass Palace, Bilder Fragen,&#38;nbsp;Kunstsammlungen and Museen, Ausburg,
Germany, Curated by Thomas Elsen, Anastasia Khoroshilova and Gustavo Sagorsky

					
Frieze Sculpture Park 2017, Metamorphosis - a study in liberation,&#38;nbsp;Curated by Clare Lilley
Art Basel Parcours 2017, Site of the Fall: Study of the Renaissance Garden,&#38;nbsp;Curated by Samuel Leuenberger

Koroška Art Museum, WAR,&#38;nbsp;Slovenj Gradec,&#38;nbsp;Slovenia,&#38;nbsp;Curated by Marko Košan

					
2016
Leila Heller Gallery,&#38;nbsp;At 9:15 am Sunday 28 May 1967, Dubai

					
Museo nazionale delle arti del XXI secolo,&#38;nbsp;L’arte differente: MOCAK al MAXXI, Exhibition of works
from the MOCAK Collection,&#38;nbsp;Rome, Italy, Curated by&#38;nbsp;Maria Anna Potocka

					
MUNTREF Centro de
Arte Contemporáneo,&#38;nbsp;Migrations (in) Contemporary Art, , Museum of the National University Tres de Febrero Buenos Aires, Argentina, Curated by&#38;nbsp;Diana Wechsler

					
Academie de Künst,&#38;nbsp;Uncertain States - Artistic Strategies in States of Emergency, Berlin, Germany, Curated by Dr. Anke Hervol

					
 Art Centre Hugo Voeten, permanent Collection display,
Herentals, Belgium

					
Ab-Anbar gallery,&#38;nbsp;At 11:57 am Wednesday 23 October 2013,
Tehran, Iran

					
Esfahan Museum of Contemporary Art,&#38;nbsp;RTL: LTR, Esfahan, Iran, Curated by Tarlan Rafiee and Yashar Samimi Mofakham

					
1x1 Art Gallery,&#38;nbsp;Poetics of Absence, Dubai,&#38;nbsp;Curated by Cristiana de Marchi

					
2015

				
			
		
	

Sazmanab,&#38;nbsp;Spring of Recession -&#38;nbsp;Centrefold Project, Tehran, Iran

					
Venice Biennale Edition 56,&#38;nbsp;The Iranian Pavilion, Venice, Itay,&#38;nbsp;curated by Okwui Enwezor

Frieze Sculpture Park 2015, Curated by Clare Lilley

Leila Heller Gallery, Friday April 25, 2003 at 07:55, New York
MUNTREF Centro de
Arte Contemporáneo,&#38;nbsp;Migrants, curated by Diana Wechsler, Buenos Aires, Argentina

The Armory Show, New York

					
2014

					
Ab-Anbar gallery,&#38;nbsp;At 11:08 March 14th, 2006, Tehran, Iran
Al Quoz Industrial 3,&#38;nbsp;The Whistle of the Souls, a play that never starts, Dubai, Curated by Ali Bakhtiari

					
2013

					
Leila Heller Gallery,&#38;nbsp;12 MIDNIGHTS, multi-venue exhibition
in collaboration with five nightclubs in NYC: Marquee, No. 8, Santos Party House, Sugarland and Bossa Nova Civic Club,
New York

					
Goethe Institute Brussels,&#38;nbsp;Cultural Freedom in Europe, Brussels,&#38;nbsp;Belgium,&#38;nbsp;Curated by Filip Luyckx

The Armory Show Centennial Edition, New York

					
2012
Le Loft Sévigné,&#38;nbsp;Lost in paradise: du spirituel dans l'art actuel, Paris, France, Curated by Arianne Levene and Eglantine de Ganay
Curated by Arianne Levene and Eglantine de Ganay

Without Hope, Without Fear, Al Joud Center, UAE

					
The Elephant in the Dark, crated by Amirali Ghasemi,
Devi Art, Foundation, Gurgaon, India

					
Migrasophia - ( Migration + Philosophy ), curated Sara
Raza, Maraya Art Centre, Sharjah

					
ADVANCE/...NOTICE, Goodman Gallery, Johannesburg, South Africa

					
2011

					
Walking in the Darkness of a Promised Light, Isabelle
Van Den Eynde Gallery, Dubai, UAE (cat.)

					
Light – Part I, curated by Gabriel Rolt and Nick Hackworth, Paradise Row, London

					
Eat Me, Goodman Gallery, Cape Town

					
2010

					
Satement, Paris Photo 2009, curated by Catherine
Davide, France (cat.)

					
Between the Eye and the Object falls the Shadow,
Isabelle Van Den Eynde Gallery, Dubai, UAE (cat.)

					
Hope!: I’espoir, de Giacometti a Murakami, curated
by Ashok Adiceam, Palais des Arts et du Festival, Dinard,
France. (cat.)

					
2009

	
		
		
	
	
		
			
				
					Live Action 71, curated by The Diogenes Club, Late at
Tate Britain, London, UK

					
Relaunch, Sunbury House, London, UK

					
2008

					
Live Action 60, commissioned for Zoo Art Fair and
CollectingLiveArt, London

					
Best of Discoveries, Shcontemporary, Shanghai, China. (cat.)

					
A World without Borders, Event Horizon, GSK Contemporary, Royal Academy of Art, London, UK

					
The Apartment, curated by Brian Chalkley and Lewis
Amar, Royal London House, London

					
2007

					
You Were the Dead, Their’s Was the Future, seduced,
Barbican Art Gallery, London, UK

					
Who is the Third that Walks Beside You?, Matthew
Bown gallery, London, UK

					
Reza Aramesh, Watermans Centre, London, UK

					
We’ve Lost the Hearts and Minds..., Event gallery,
London, UK (cat.)

					
Space Invasion, an International Offspace Project,
various venues, Vienna, Austria (cat.)

					
Los Vinilos, Buenos Aires, Argentina
The Politics of Fear, Albion Gallery, London, UK.
Temporary Measures, curated by Hut Projects, Associates Gallery, London, UKInto Position, curated by Anthony Gross, Bauernmarkt

					
1 and 9, 1010 ViennaThe Lucifer Effect, curated by Gordon Cheung, Gallery Primo Alonso, London

					
2006

					
Live Action: I am a Believer, commissioned by ICA,
Trafalgar Square, London, UK

					
Making a Scene, curated by Tal Yahas Haifa Museum
of Art, Israel (cat.)

					
Metropolis Rise: New Art from London, CQL Design
Centre, Shanghai and 798 Art District, Beijing, China (cat.)
Culture Bound, East Wing Collection VII, Courtauld

					
Institute of Art, Somerset House, London, UKArt Car Boot Fair, Brick Lane, London. Curated by Karen Ashton and Helen Hayward

					
2005

					
Live Action: The Key of Dreams, Gasworks Gallery,
London, UK

	
		
		
	
	
		
			
				
					
Live Action: Of this Men Shall Know Nothing, Thomas
Goode Shop, London, UK
USA . Defense, University of California, Sweeney Art Gallery

					
We Have Met The Enemy and He is Us, curated by
Shezad Dawood, Redux Project Space, London, UK

					
Pencil (a drawing show), Carter presents, London

					
Contemporary Drawings, Parnassos Literary Society,
Athens, Greece. Curated by Synthesis

					
2004

					
The eternal spring, Lawrence O’Hana gallery. London

					
U.K. So You’re Afraid of What?, curated by Centrefold, Redux Project Space, London, UK

					
Copy-art.net, curated by Irini Papadimitriou, ICA, London, UK

					
Gewalt, curated by Suhall Malik, Laushy Art, Tel Aviv
Israel (cat.)

					
Sir ® Eel: The Suit since ’68: The Politics of Revulsion,
curated by Peter Lewis, Redux Project Space, London, UK

					
Pilot1, Lime House Town hall, Lime House, London

					
Art Car Boot Fair, Truman Brewery, London, curated by
Karen and Helen Asthon

					
Flea market, TemporaryContemporary, London

					
2003

					
Picture This, Platform Gallery, London, UK.
Flaca, Flaca Gallery, London, Book Launch

					
2001

					
What if I Told the Truth?, curated by Reza Aramesh, Cell
Projects, London, UK

					
Trick Peaser, curated by Luke Oxley, Mandarin Duck,
London, UK

					
Teeth and Trousers, curated by Richard Priestly, Cell
Projects, London, UK

					
Forever Yours, curated by Reza Aramesh, Victoria
House, London, UK

					
Heart of Glass, curated by Esther Windsor, London,
College of Printing, London, UK

					
Reza Aramesh. Desert Rose, Victoria House, London, UK

					
2000

					
Include Me Out, London. Curated by John Chilver

					
Wooden Heart, Avco, London. Curated by Reza Aramesh and Tina Spear

Collections -&#38;nbsp;

	
		
		
	
	
		
			
				
					
The work has been collected by many public and private
collections including:

					
Tate UK
Lazaar Foundation
Hugo Voeten Foundation
Mocak Museum Poland
Rodin Museum
Versaille Palace Collection - Zabludowicz Collection
RAK Art Foundation





Prizes &#38;amp; Awards -

2011 - 
Nominated for a Paul Hamlyn Foundation Award for
Visual Artists

					
2010 -

					
Nominated for a Paul Hamlyn Foundation Award for
Visual Artists

					
2006 -

					
Artsadmin Bursary

					
2006 -

					
Arts Council of England grant for the ‘I am a Believer’
show hosted by the ICA

					
2004 -
London Arts Research and Development grant, Arts
Council

	
		
		
	
	
		
			
				
					
Projects &#38;amp; Publications -

					
2018 -
Centrefold Project Issue 10


					
2017 -
Centrefold project Issue 9


					
2015 -

					
Friday April 25, 2003 at 07:55, Leila Heller Gallery,
Murtaza Vali

					
Centrefold Scrapbook, Issue 9, Spring of recession,
Sazmanab Centre for Contemporary Art, Tehran, Iran

					
At 11:08 March 14, 2006, Sazmanab centre for contemporary art, Ab-Anbar, David Thorp


					
2014 - 
12MIDNIGHT, multi-venue exhibition in five nightclubs,
New York Milovan Farronato, Media Farzin, Eugenio Viola

					
Crude Humanity, Sara Raza, The Whistle of the Souls


					
2012 -

					
Centrefold Scrapbook, Issue VIII, The Circle of Manias.
Launch and exhibition/talk at Zabludowicz Collection, London


					
2011 -

					
Walking in the Darkness of a Promised Light, Isabelle
Van Den Eynde Gallery


					
2010 -

					
Between the Eye and the Object falls the Shadow,
Isabelle Van Den Eynde Gallery, Thomas Frangenberg


					
2008 -

					
Centrefold Scrapbook, Issue VII, A world without borders...


					
2007 - 
Centrefold Scrapbook, Issue VI, It is is, And it is now
only...


					
2006 -

					
Centrefold Scrapbook, Issue V, We’ve lost the heart
and minds...


					
2005 -

					
Centrefold Scrapbook, Issue IV, I think I’ll Speak To...

	
		
		
	
	
		
			
				
					
Books&#38;nbsp;
-
“Reza Aramesh” Published by the Collectors’ Editions 2018
“Like Life Sculpture, Color, And the Body” Published by The MET New York 2018
“Uncertain States, Travelling Fragments” Published by Akademie Der Kunste, 2017
“At 11:57am Wednesday 23 October 2013” Published by Ab Anbar Gallery, Tehran, 2016
“Friday April 25, 2003 at 07:55” Published by Leila Heller gallery New York, 2015
“The Great Game” Art, Artists and Culture from the heart of the world.: Silvana Editoriale, 2016
“Hope” Une Exposition d’art contemporain sur l’Espoir. Skira Flammarion, 2010
2011. “Reza Aramesh Them Who Dwell on the Earth”, “12 MidNight” Published by Damani Press Italy
Metropolis Rise: New Art From London Published by temporary Contemporary 2006

				
			
		
	

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		<title>Instagram</title>
				
		<link>https://rezaaramesh.com/Instagram</link>

		<pubDate>Fri, 09 Aug 2019 09:18:26 +0000</pubDate>

		<dc:creator>Rezaaramesh</dc:creator>

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		<title>Biography </title>
				
		<link>https://rezaaramesh.com/Biography</link>

		<pubDate>Wed, 08 Feb 2017 13:13:43 +0000</pubDate>

		<dc:creator>Rezaaramesh</dc:creator>

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		<description>Reza Aramesh 

Founder and editor of: Centrefold Project.

1997 Graduated from MA Fine Art, Goldsmiths College, London
Bsc in Science and Philosophy at University College London.

Lives and works in London.



Selected Solo Exhibitions and Projects

2016

At 9:15 am Sunday 28 May 1967, Leila Heller gallery, Dubai
At 11:57 am Wednesday 23 October 2013, Ab-Anbar, Tehran
2015 
Spring of Recession, Centrefold Project, Sazmanab, Tehran
Friday April 25, 2003 at 07:55, Leila Heller Gallery, New York
2014	             
At 11:08 March 14th, 2006, Ab-Anbar, Tehran,
The Whistle of the Souls, a play that never starts, Proposal for a Public Sculpture, Al Quoz Industrial 3, Dubai
2013	
12MIDNIGHT, multi-venue exhibition in five nightclubs, New York
2011	 
Walking in the Darkness of a Promised Light, Isabelle Van Den Eynde Gallery, Dubai, UAE (cat.)
2010              
Between the Eye and the Object falls the Shadow, Isabelle Van Den Eynde Gallery, Dubai, UAE (cat.)
Statement, Paris Photo 2009, curated by Catherine Davide, France (cat.) 
2009 		
Live Action 71, curated by The Diogenes Club, Late at Tate Britain, London, UK   
2008	
Live Action 60, commissioned for Zoo Art Fair and CollectingLiveArt, London, UK  		
Best of Discoveries, Shcontemporary, Shanghai, China (cat.) 
2007 		
You Were the Dead, Their’s Was the Future, seduced, Barbican Art Gallery, London, UK   		
Who is the Third that Walks Beside You?, Matthew Bown gallery, London, UK  		
Reza Aramesh, Watermans Centre, London, UK   		
We’ve Lost the Hearts and Minds..., Event gallery, London, UK (cat.)
Who is the third that walks beside you?, Matthew Bown gallery, London, U.K 
2006 		
Live Action: I am a Believer,­ commissioned by ICA, Trafalgar Square, London, UK 
 2005 		
Live Action: The Key of Dreams, Gasworks Gallery, London, UK   		
Live Action: Of this Men Shall Know Nothing, Thomas Goode Shop, London, UK
2004               
The eternal spring, Lawrence O’Hana gallery. London. U.K 
2003 		
Picture This, Platform Gallery, London, UK

Selected Group Exhibitions

2018
Like Life: Sculpture, Color and the Body (1300 - Now), 
The MET Breuer, Metropolitan Museum of Art, New York.
WAR, Curated by Marko Košan. Koroška Art Museum, Slovenia 
Crumbling Down, Up and Up we Climb, Curated by Bjorn Geldhof and Suad Garayeva- Maleki, Yarat Contemporary Art Space, Baku, Azerbaijan 
Bilder Fragen. Curated by Thomas Elsen. Kunstsammlungen und Museen Ausburg, Germany

2017
Metamorphosis - a study in liberation, Frieze Sculpture Park, London
Site of the Fall- study of the renaissance garden, Art Basel Parcours, Basel
2016      
L'arte differente: MOCAK at MAXXI, MAXXI, Rome     
The Poetics of Absence, 1X1 Art Gallery, Dubai 
RTL:LTR, Esfahan Museum of Contemporary Art, Tehran     
Uncertain States - Artistic Strategies in States of Emergency, Akademie der Künste, Berlin
RTL:LTR Galerie Forum, Wels, Austria 
Permanent Collection display, Art Centre Hugo Voeten, Herentals, Belgium
2015                
Migrants, Muntref-Museum, curated by Diana Wechsler, Buenos Aires
Venice biennale Edition 56, Iran Pavilion The Great Game
Armory Show, New York, U.S.A
2014  	             
Frieze Sculpture Park 2014 Curated by Clare Lilley
Armory Show, New York, U.S.A
2013 	             
Cultural Freedom in Europe, Goethe Institute Brussel, Brussels
2012 		
Lost in Paradise, Curated by Arianne Levene and Eglantine de Ganay, Loft Sevigne, Paris. 
Without Hope, Without Fear, Al Joud Center, Dubai, UAE
The Elephant in the Dark, curated by Amirali Ghasemi, Devi Art Foundation, Gurgaon
Migrasophia – (Migration + Philosophy), curated Sara Raza, Maraya Art Centre, Sharjah
ADVANCE/…NOTICE, Goodman Gallery, Johannesburg  
2011		
Light – Part I, curated by Gabriel Rolt and Nick Hackworth, Paradise Row, London.
Eat Me, Goodman Gallery, Cape Town
 2010  		
Hope!: I’espoir, de Giacometti a Murakami, curated by Ashok Adiceam, Palais des 
Arts et du Festival, Dinard, France. (cat.) 
2009    	
Relaunch, Sunbury House, London, UK  
2008    	
Los Vinilos, Zoo Art Fair, London, UK  		
A World without Borders, Event Horizon, GSK Contemporary, Royal Academy of Art, London, UK 
The Apartment, curated by Brian Chalkley and Lewis Amar, Royal London House, London. 
2007   	
Space Invasion, an International Offspace Project, various venues, Vienna, Austria (cat.)  		
Los Vinilos, Buenos Aires, Argentina  		
The Politics of Fear, Albion Gallery, London, UK  		Temporary Measures, curated by Hut Projects, Associates Gallery, London, UK 
Into Position, curated by Anthony Gross, Bauernmarkt 1 and 9, 1010 Vienna
The Lucifer Effect, curated by Gordon Cheung, Gallery Primo Alonso, London
2006    	
Making a Scene, curated by Tal Yahas Haifa Museum of Art, Israel (cat.)  		
Metropolis Rise: New Art from London, CQL Design Centre, Shanghai and 798 Art District, Beijing, China (cat.)  		Culture Bound, East Wing Collection VII, Courtauld Institute of Art, Somerset House, London, UK
Art Car Boot Fair, Brick Lane, London. Curated by Karen Ashton and Helen Hayward
2005    	
Defense, University of California, Sweeney Art Gallery, USA 
We Have Met The Enemy and He is Us, curated by Shezad Dawood, Redux Project Space, London, UK 
Pencil (a drawing show), Carter presents, London  		Contemporary Drawings, Parnassos Literary Society, Athens, Greece. Curated by Synthesis
2004   	
So You’re Afraid of What?, curated by Centrefold, Redux Project Space, London, UK  		
Copy-art.net, curated by Irini Papadimitriou, ICA, London, UK   		Gewalt, curated by Suhall Malik, Laushy Art, Tel Aviv, Israel (cat.)  		
Sir ® Eel: The Suit since ’68: The Politics of Revulsion, curated by Peter Lewis, Redux Project Space, London, UK 
Pilot1, Lime House Town hall, Lime House, London.
Art Car Boot Fair, Truman Brewery, London, curated by Karen and Helen Asthon
Flea market, TemporaryContemporary, London
2003 		
Flaca, Flaca Gallery, London, Book Launch
2001	
What if I Told the Truth?, curated by Reza Aramesh, Cell Projects, London, UK  		
Trick Peaser, curated by Luke Oxley, Mandarin Duck, London, UK   		
Teeth and Trousers, curated by Richard Priestly, Cell Projects, London, UK   		
Forever Yours, curated by Reza Aramesh, Victoria House, London, UK   		
Heart of Glass, curated by Esther Windsor, London College of Printing, London, UK
Desert Rose, Victoria House, London, curated by Reza Aramesh
2000 		
Include Me Out, London. Curated by John Chilver. 
Wooden Heart, Avco, London. Curated by Reza Aramesh and Tina Spear
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		<title>Works</title>
				
		<link>https://rezaaramesh.com/Works-1</link>

		<pubDate>Mon, 12 Aug 2019 10:41:10 +0000</pubDate>

		<dc:creator>Rezaaramesh</dc:creator>

		<guid isPermaLink="true">https://rezaaramesh.com/Works-1</guid>

		<description>Works


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	<item>
		<title>Contact</title>
				
		<link>https://rezaaramesh.com/Contact</link>

		<pubDate>Thu, 04 Jul 2019 14:07:44 +0000</pubDate>

		<dc:creator>Rezaaramesh</dc:creator>

		<guid isPermaLink="true">https://rezaaramesh.com/Contact</guid>

		<description>For any inquiries contact:Dastan Gallery:https://dastan.gallery/contact/&#38;nbsp;

For internship opportunities and general enquiries, please contact:

mail@rezaaramesh.com

Disclaimer: (Certificate&#38;nbsp;of Authenticity)&#38;nbsp;COA&#38;nbsp;is only issued in One (1) unequivocal signed and stamped original by the artist. Should a client lose the&#38;nbsp;COA, no new original will be issued. An extract from the archives of the artist may be requested seeking information about the archival entry but such extract shall&#38;nbsp;not&#38;nbsp;be considered an Original&#38;nbsp;COA.

</description>
		
	</item>
		
		
	<item>
		<title>Texts</title>
				
		<link>https://rezaaramesh.com/Texts</link>

		<pubDate>Mon, 15 Aug 2016 14:12:03 +0000</pubDate>

		<dc:creator>Rezaaramesh</dc:creator>

		<guid isPermaLink="true">https://rezaaramesh.com/Texts</guid>

		<description>Selected Articles
&#38;nbsp;&#38;nbsp;&#38;nbsp;artnet, A Rarely Seen Caravaggio Masterpiece Makes Its Way to Florida, 2025
Artforum, Review: Reza Aramesh, 2025

Art Realizzara, Reza Aramesh: Fragment of the Self, 2025
Arte Realizzata, In Conversation with Reza Aramesh, 2025
artdaily,&#38;nbsp;










Artist exposes the use of power and brutality in a crucial reckoning with European art history and the human condition, 2024
sky arte,&#38;nbsp;










Le più belle chiese di Venezia aprono le porte all’arte contemporanea durante la Biennale, 2024
The Gen Z Art Critic, The Proof of Innocence: Reza Aramesh in Venice, 2024JULIET,&#38;nbsp;










Reza Aramesh: NUMBER 207, 2024




blog. il Giornale it,&#38;nbsp;










Reza Aramesh: NUMBER 207. La mostra del geniale scultore iraniano alla Chiesa di San Fantin a Venezia, è una riflessione sulla condizione umana, 2024
Ocula, What Are Galleries Bringing to Frieze London 2023?, 2023
Wiener Zeitung,&#38;nbsp;










Galerie Kandlhofer: Denken ist einfach zu kopflastig, 2023
CNAP, Ruptura: una y mil veces. Reza Aramesh. A propósito de la 14 Bienal de La Habana, 2022Juventud Rebelde, Reza Aramesh: Ruptura. Una y mil veces, 2022&#38;nbsp;
 
Cubarte, Ruptura: una y mil veces. Reza Aramesh. A propósito de la 14 Bienal de La Habana, 2022Radio Enciclopedia,&#38;nbsp;Exhibe artista británico-iraní en la 14 Bienal de La Habana, 2022

Financial Times, New York’s Asia Society Museum triennial hopes to heal divisions, 2021&#38;nbsp;Observer, Asia Society Triennial “We Do Not Dream Alone” Unifies Artists Across Continents, 2021&#38;nbsp;Frieze,&#38;nbsp;‘We Do Not Dream Alone’ Seeks to Champion Representation for Contemporary Asian Artists, 2021&#38;nbsp;Daily Art
Magazine, New York City Art Triennial 2021: Do We Dream Together? Are We Fine?, 2021&#38;nbsp;Fitzwilliam Museum, Making a Masterpiece: Reza Aramesh’s Action 125, 2021&#38;nbsp;
Harper's
BAZAAR, 8 Standout Artworks Not To Miss At Art Dubai, 2019
 Bienalsur, Buenos Aires, 2019&#38;nbsp;TimeOut, Five things to see at Sculpture in the City, 2019 

City Matters, Sculpture in the City, 2019

Wall Street International, Reza Aramesh at the Asia Society Museum in New York, 2019&#38;nbsp;

Asia Society,&#38;nbsp;Asia Society Museum in New York presents exhibition of work by Reza Aramesh, 2019 
The New York Times, Real, or Too Real?, “Like Life” at the Met Breuer, 2018Bomb Magazine, Life Like: Sculpture, Color, and the Body, 2018The New York
Reviews, Life Like: Sculpture, Color, and the Body, 2018



Sotheby’s, Summertime and the Frieze Sculpture Park, 2017MutualArt, Who Are the New Galleries at Art Basel 2017?Poetics of Absence, The National, Anna Seaman, 2017Sculpture captures the suffering, Al Roeya newspaper, Ruba Shield, 2017
 
i-D, uncertain states, uncertain times – how artists act in states of emergency, 2016Berlin Art Link, Migration ‘Uncertain States’ at Akademie der Künste, 2016

Der
Tagesspiegel,&#38;nbsp;Warning shot with the camera, 2016Zeit, Strangely harmless, 2016New York Times, Tehran’s Ab-Anbar Gallery Links the Diaspora and Global Art, 2016
Gulf News, A study of human suffering during wars, 2016Artforum, Best of 2016New York Times, Ginanne Brownell, 2016Honaragah, 2016Art-agenda, At 11:57 am Wednesday 23 October 2013, 2016Código Magazine, Migration as a condition of existence, 2016Artillery, Review, 2015


	
		
		
	
	
		
			
				
					
						The Eye of
Photography, Iran Special Edition : Reza Aramesh at Sazmanab, 2015Tandis Magazine, 2014Artforum,&#38;nbsp;Review, 2014Art Asia Pacific,&#38;nbsp;The Whistle of the Souls, a Play that Never Starts, 2014Depart Magazine, Reza Aramesh’s take on the rebellious subject, 2014
GQ feature, War and Piece, 2011The Big Issue, Art House, 2009Canvas Magazine, The Re-Framing of Conflict, 2009Between the Eye and the Object Falls a Shadow, B21 Gallery Review, 2009The National,&#38;nbsp;Conflicting Statements, 2009Gulf News, Deceptions of the true and the accurate, 2009Contemporary Practices magazine, Gemma Tully in conversation with Reza Aramesh, 2009Time Out Dubai, The Atrocity Exhibition, 2009MutualArt, Far, but not yet too far, from the madding crowd, 2007Aesthetica magazine, I am a believer, 2006

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